2013년 11월 30일 토요일

오후 4:43

By Annita Mccartney

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               Ａｆｔｅｒ               ａ               ｆｅｗ               ｙｅａｒｓ               ｏｆ               ｃｏｍｍｕｎｉｔｙ               ｃｏｌｌｅｇｅ,               Ｉ               ｈａｄ               ｇａｉｎｅｄ               ｅｎｏｕｇｈ               ｃｒｅｄｉｔｓ               ｔｏ               ｔｒａｎｓｆｅｒ               ｔｏ               ａ               ｕｎｉｖｅｒｓｉｔｙ.

Ｓｉｎｃｅ               ｍｙ               ＧＰＡ,               ａｆｔｅｒ               15               ｃｏｕｒｓｅｓ               ｗａｓ               ａｔ               3.78,               Ｉ               ｋｎｅｗ               ｔｈａｔ               Ｉ               ｃｏｕｌｄ               ｖｅｒｙ               ｗｅｌｌ               ｈａｖｅ               ａｐｐｌｉｅｄ               ｔｏ               ｓｏｍｅ               ｃｏｍｐｅｔｉｔｉｖｅ               ｉｎｓｔｉｔｕｔｉｏｎｓ               ａｒｏｕｎｄ               ｔｈｅ               Ｕｎｉｔｅｄ               Ｓｔａｔｅｓ.

Ｈｏｗｅｖｅｒ,               ｄｕｅ               ｔｏ               ｔｈｅ               ｆａｃｔ               ｔｈａｔ               Ｉ               ｈａｖｅ               ａ               ｍｉｎｉ-ｆａｒｍ               ｔｈａｔ               Ｉ               ｗｏｕｌｄ               ｈａｖｅ               ｈａｄ               ｔｏ               ｔｒａｖｅｌ               ｗｉｔｈ,               ａｎｄ               ｔｈｅ               ｄｏｗｎｔｕｒｎ               ｏｆ               ｔｈｅ               ｅｃｏｎｏｍｙ,               ｃｏｍｐｌｉｃａｔｅｄ               ｂｙ               ｔｈｅ               ｅｖｅｒ-ｒｉｓｉｎｇ               ｐｒｉｃｅｓ               ｉｎ               ｇａｓ,               Ｉ               ｄｅｃｉｄｅｄ               ｔｈａｔ               ｔｈｅ               ｍｏｓｔ               ｌｏｇｉｃａｌ               ａｎｄ               ｅｃｏｎｏｍｉｃａｌ               ｃｈｏｉｃｅ               ｗａｓ               ｔｏ               ａｐｐｌｙ               ａｔ               ａ               ｕｎｉｖｅｒｓｉｔｙ               ｔｈａｔ               ｏｆｆｅｒｅｄ               ｏｎｌｉｎｅ               ｄｅｇｒｅｅｓ.
               Ｏｎｅ               ｏｆ               ｔｈｅ               ｆｏｒｅｍｏｓｔ               ｔｈｉｎｇｓ               ｔｏ               ｒｅｓｅａｒｃｈ               ｗｈｅｎ               ｃｈｏｏｓｉｎｇ               ａｎ               ｏｎｌｉｎｅ               ｃｏｌｌｅｇｅ               ｏｒ               ｕｎｉｖｅｒｓｉｔｙ               ｉｓ               ｔｏ               ｃｈｅｃｋ               ｔｈｅｉｒ               ｃｒｅｄｅｎｔｉａｌｉｎｇ               ｓｔａｔｕｓ               -               ｔｈｉｓ               ｉｓ               ｎｏｔ               ｏｎｌｙ               ａｎ               ｉｎｄｉｃａｔｏｒ               ｏｆ               ｔｈｅ               ｖａｌｉｄｉｔｙ               ｏｆ               ｔｈｅ               ｒｉｇｏｒ               ｏｆ               ｔｈｅｉｒ               ｐｒｏｇｒａｍｓ,               ｂｕｔ               ｉｓ               ｅｓｓｅｎｔｉａｌ               ｔｈａｔ               ｔｈｅｙ               ｂｅ               ｃｒｅｄｅｎｔｉａｌｅｄ               ｂｙ               ｏｎｅ               ｏｆ               ｔｈｅ               ｆｏｕｒ               ｍａｉｎ               ｒｅｇｉｏｎａｌ               ａｃｃｒｅｄｉｔｉｎｇ               ｂｏｄｉｅｓ               ｉｎ               ｔｈｅ               Ｕｎｉｔｅｄ               Ｓｔａｔｅｓ               ｉｎ               ｏｒｄｅｒ               ｆｏｒ               ａｎｙ               ｉｎｓｔｉｔｕｔｉｏｎ               -               "ｂｒｉｃｋ-ａｎｄ-ｍｏｒｔａｒ"               ｏｒ               ｏｎｌｉｎｅ               -               ｔｏ               ｂｅ               ｅｌｉｇｉｂｌｅ               ｔｏ               ｒｅｃｅｉｖｅ               ｆｅｄｅｒａｌ               ｆｉｎａｎｃｉａｌ               ａｉｄ               ｆｏｒ               ｔｕｉｔｉｏｎ               ｐａｙｍｅｎｔ.

Ｔｈｅ               ｓｉｘ               ｒｅｇｉｏｎａｌ               ａｃｃｒｅｄｉｔｉｎｇ               ｂｏｄｉｅｓ               ｉｎ               ｔｈｅ               Ｕｎｉｔｅｄ               Ｓｔａｔｅｓ               ａｒｅ:
               Ｍｉｄｄｌｅ               Ｓｔａｔｅｓ               Ａｓｓｏｃｉａｔｉｏｎ               ｏｆ               Ｃｏｌｌｅｇｅｓ               ａｎｄ               Ｓｃｈｏｏｌｓ               Ｎｅｗ               Ｅｎｇｌａｎｄ               Ａｓｓｏｃｉａｔｉｏｎ               ｏｆ               Ｓｃｈｏｏｌｓ               ａｎｄ               Ｃｏｌｌｅｇｅｓ               Ｎｏｒｔｈｗｅｓｔ               Ｃｏｍｍｉｓｓｉｏｎ               ｏｎ               Ｃｏｌｌｅｇｅｓ               ａｎｄ               Ｕｎｉｖｅｒｓｉｔｉｅｓ               Ｎｏｒｔｈ               Ｃｅｎｔｒａｌ               Ａｓｓｏｃｉａｔｉｏｎ               ｏｆ               Ｃｏｌｌｅｇｅｓ               ａｎｄ               Ｓｃｈｏｏｌｓ               Ｓｏｕｔｈｅｒｎ               Ａｓｓｏｃｉａｔｉｏｎ               ｏｆ               Ｃｏｌｌｅｇｅｓ               ａｎｄ               Ｓｃｈｏｏｌｓ               Ｗｅｓｔｅｒｎ               Ａｓｓｏｃｉａｔｉｏｎ               ｏｎ               Ｓｃｈｏｏｌｓ               ａｎｄ               Ｃｏｌｌｅｇｅｓ               Ｉｔ               ｉｓ               ｖｅｒｙ               ｉｍｐｏｒｔａｎｔ               ｔｈａｔ               ｙｏｕ               ｃｈｅｃｋ               ｔｈｅ               ｃｒｅｄｅｎｔｉａｌｉｎｇ               ｓｔａｔｕｓ               ｏｆ               ａｎｙ               ｓｃｈｏｏｌ               ｂｅｆｏｒｅ               ａｐｐｌｙｉｎｇ.

Ｎｏｔ               ｏｎｌｙ               ｍｕｓｔ               ａ               ｓｃｈｏｏｌ               ｂｅ               ｃｒｅｄｅｎｔｉａｌｅｄ               ｂｙ               ｏｎｅ               ｏｆ               ｔｈｅｓｅ               ｓｉｘ               ｒｅｇｉｏｎａｌ               ｃｒｅｄｅｎｔｉａｌｉｎｇ               ａｇｅｎｃｉｅｓ               ｉｎ               ｏｒｄｅｒ               ｔｏ               ｒｅｔａｉｎ               ｅｌｉｇｉｂｉｌｉｔｙ               ｉｎ               ｒｅｃｅｉｖｉｎｇ               ｆｉｎａｎｃｉａｌ               ａｉｄ,               ｂｕｔ               ｉｔ               ｉｓ               ａ               ｑｕａｌｉｆｉｃａｔｉｏｎ               ｆｏｒ               ｂｅｉｎｇ               ａｄｍｉｔｔｅｄ               ｉｎｔｏ               ａｎｙ               ｏｔｈｅｒ               ｓｕｂｓｅｑｕｅｎｔ               ｕｎｉｖｅｒｓｉｔｉｅｓ               ｆｏｒ               ｏｔｈｅｒ               ｃｏｕｒｓｅｗｏｒｋ               ｏｒ               ｇｒａｄｕａｔｅ               ｓｔｕｄｙ.

Ｉｎ               ａｄｄｉｔｉｏｎ,               ｍａｎｙ               ｅｍｐｌｏｙｅｒｓ               ｓｔａｔｅ               ｉｎ               ｊｏｂ               ｄｅｓｃｒｉｐｔｉｏｎｓ               ｔｈａｔ               ａｎｙ               ｄｅｇｒｅｅｓ               ｏｂｔａｉｎｅｄ               ｍｕｓｔ               ｈａｖｅ               ｂｅｅｎ               ｃｏｎｆｅｒｒｅｄ               ｂｙ               ａ               ｒｅｇｉｏｎａｌｌｙ               ｃｒｅｄｅｎｔｉａｌｅｄ               ｉｎｓｔｉｔｕｔｉｏｎ               ｏｎｌｙ.
               Ａｆｔｅｒ               ｒｅｓｅａｒｃｈｉｎｇ               ａ               ｆｅｗ               ｉｎｓｔｉｔｕｔｉｏｎｓ,               Ｉ               ｃｈｏｓｅ               ｔｏ               ａｐｐｌｙ               ｔｏ               Ｔｒｏｙ               Ｕｎｉｖｅｒｓｉｔｙ               (ｆｏｒｍｅｒｌｙ               Ｔｒｏｙ               Ｓｔａｔｅ               Ｕｎｉｖｅｒｓｉｔｙ)               ｆｏｒ               ｓｅｖｅｒａｌ               ｒｅａｓｏｎｓ.

Ｆｉｒｓｔ,               ｓｉｎｃｅ               ｔｈｅｙ               ｗｅｒｅ               ｔｈｅ               ｓｔａｔｅ               ｕｎｉｖｅｒｓｉｔｙ               ｏｆ               Ａｌａｂａｍａ,               Ｉ               ｋｎｅｗ               ｔｈａｔ               ｔｈｅｒｅ               ｗａｓ               ａ               ｍｉｎｉｍｕｍ               ｓｔａｎｄａｒｄ               ｉｎ               ｔｈｅ               ｑｕａｌｉｔｙ               ｏｆ               ｅｄｕｃａｔｉｏｎ               Ｉ               ｗｏｕｌｄ               ｒｅｃｅｉｖｅ.

Ｓｅｃｏｎｄ,               ｔｈｅｙ               ｏｆｆｅｒｅｄ               ｓｅｖｅｒａｌ               ｄｉｆｆｅｒｅｎｔ               ｃｏｎｃｅｎｔｒａｔｉｏｎｓ               ａｎｄ               ｍｉｎｏｒｓ               ｆｏｒ               ｍｙ               ｃｈｏｓｅｎ               ｍａｊｏｒ               ｏｆ               Ｐｏｌｉｔｉｃａｌ               Ｓｃｉｅｎｃｅ.

Ｌａｓｔ,               ｔｈｅｙ               ｄｏ               ｎｏｔ               ｃｈａｒｇｅ               ｏｕｔ-ｏｆ-ｓｔａｔｅ               ｔｕｉｔｉｏｎ               ｌｉｋｅ               ｓｏｍｅ               ｏｔｈｅｒ               ｉｎｓｔｉｔｕｔｉｏｎｓ               (Ｉ               ｌｉｖｅ               ｉｎ               Ｃａｌｉｆｏｒｎｉａ).

Ｔｒｏｙ               ａｌｓｏ               ｈａｓ               ｔｈｅｉｒ               ｏｗｎ               ｓｐｏｒｔｓ               ｔｅａｍｓ               ｔｈａｔ               ｙｏｕ               ｃａｎ               ａｃｔｕａｌｌｙ               ｗａｔｃｈ               ａｎｄ               ｔｒａｃｋ               ｏｎ               ＥＳＰＮ               -               ｉｎ               ｔｈｉｓ               ｗａｙ,               ｙｏｕ               ｈａｖｅ               ｍｏｒｅ               ｏｆ               ａ               ｃｏｎｎｅｃｔｉｏｎ               ｔｏ               ｔｈｅ               ｉｎｓｔｉｔｕｔｉｏｎ.

Ｔｈｅｉｒ               ｔｅａｍｓ               ａｒｅ               ｋｎｏｗｎ               ａｓ               ｔｈｅ               Ｔｒｏｙ               Ｔｒｏｊａｎｓ               ａｎｄ               ｔｈｅｉｒ               ｍａｓｃｏｔ               ｉｓ               ｃａｌｌｅｄ               "Ｔ-ＲＯＹ".
               Ａｔｔｅｎｄｉｎｇ               Ｔｒｏｙ               ｏｎｌｉｎｅ               ｗａｓ               ｎｏｔ               ｅａｓｙ               -               ａｌｌ               ｔｈｅ               ｏｎｌｉｎｅ               ｃｏｕｒｓｅｓ               ａｔ               Ｔｒｏｙ               ｐｒｏｇｒｅｓｓ               ｏｎ               8               ｗｅｅｋ               ｔｅｒｍｓ,               ｗｉｔｈｉｎ               5               ｔｅｒｍｓ               ａ               ｙｅａｒ.

Ｔｈｅ               ｗｏｒｋｌｏａｄ               ｉｓ               ｓｏ               ｇｒｕｅｌｉｎｇ               ｉｎ               ａｎ               8               ｗｅｅｋ               ｔｅｒｍ               ｔｈａｔ               ｔｗｏ               ｃｌａｓｓｅｓ               ａｒｅ               ｃｏｎｓｉｄｅｒｅｄ               ｆｕｌｌ               ｔｉｍｅ.

Ｏｎ               ｔｏｐ               ｏｆ               ｔｈｅ               ｒｅａｄｉｎｇ               ａｎｄ               ａｓｓｉｇｎｍｅｎｔｓ,               ｔｈｅｒｅ               ａｒｅ               ａｌｓｏ               ｃｏｎｖｅｒｓａｔｉｏｎ               ｆｏｒｕｍｓ,               ｗｈｉｃｈ               ｔａｋｅ               ｐｌａｃｅ               ｏｆ               ｔｈｅ               ａｂｓｅｎｃｅ               ｏｆ               ｆａｃｅ-ｔｏ-ｆａｃｅ               ｃｏｎｔａｃｔ               ｗｉｔｈ               ｏｔｈｅｒ               ｓｔｕｄｅｎｔｓ               ａｎｄ               ｔｅａｃｈｅｒｓ               -               ｔｈｅｓｅ               ｆｏｒｕｍｓ               ａｌｓｏ               ｍｕｓｔ               ｂｅ               ｃｏｍｐｌｅｔｅｄ               ｉｎ               ｏｒｄｅｒ               ｆｏｒ               ｓｔｕｄｅｎｔｓ               ｔｏ               ｂｅ               ｅｌｉｇｉｂｌｅ               ｔｏ               ｒｅｃｅｉｖｅ               ｆｅｄｅｒａｌ               ｆｉｎａｎｃｉａｌ               ａｉｄ.

Ｔｈｏｕｇｈ               ｔｈｅ               ｓｃｈｅｄｕｌｅ               ｉｓ               ｈａｒｄ               ｔｏ               ｋｅｅｐ               ｕｐ               ｗｉｔｈ               ａｎｄ               ｔｈｅ               ｗｏｒｋ               ｓｏｍｅｔｉｍｅｓ               ｃｈａｌｌｅｎｇｉｎｇ,               ｉｔ               ｉｓ               ａ               ｇｒｅａｔ               ｗａｙ               ｔｏ               ｌｅａｒｎ               ｄｉｓｃｉｐｌｉｎｅ               ａｎｄ               ｔｉｍｅ               ｍａｎａｇｅｍｅｎｔ.

Ｔｈｅ               ｏｎｌｙ               ｒｅａｌ               ｄｒａｗｂａｃｋ               ｔｏ               Ｔｒｏｙ               ｉｓ               ｔｈａｔ               ｔｈｅ               ｌｉｓｔ               ｏｆ               ｄｅｇｒｅｅｓ               ｔｈｅｙ               ｏｆｆｅｒ               ｉｓ               ｌｉｍｉｔｅｄ;               ａｓ               ａ               ｒｅｓｕｌｔ,               ｗｈｅｎ               Ｉ               ｗａｎｔｅｄ               ｔｏ               ｃｈａｎｇｅ               ｍｙ               ｍａｊｏｒ               ｔｏ               Ｅｎｖｉｒｏｎｍｅｎｔａｌ               Ｓｃｉｅｎｃｅ,               Ｉ               ｈａｄ               ｔｏ               ｔｒａｎｓｆｅｒ               ｔｏ               ａｎｏｔｈｅｒ               ｉｎｓｔｉｔｕｔｉｏｎ,               Ａｍｅｒｉｃａｎ               Ｐｕｂｌｉｃ               Ｕｎｉｖｅｒｓｉｔｙ,               ｗｈｏ               ｏｆｆｅｒｅｄ               ｓｕｃｈ               ａ               ｐｒｏｇｒａｍ.

Ｈｏｗｅｖｅｒ,               Ｔｒｏｙ               Ｕｎｉｖｅｒｓｉｔｙ               ｉｓ               ａ               ｇｏｏｄ               ｓｃｈｏｏｌ               ｔｈａｔ               ｐｒｏｖｉｄｅｓ               ａ               ｑｕａｌｉｔｙ               ｅｄｕｃａｔｉｏｎ               ａｎｄ               Ｉ               ｃｒｅｄｉｔ               ｔｈｅ               ｓｃｈｏｏｌ               ｗｉｔｈ               ｈｅｌｐｉｎｇ               ｍｅ               ｔｏ               ｄｅｖｅｌｏｐ               ｍｏｒｅ               ｉｎ-ｄｅｐｔｈ               ｃｒｉｔｉｃａｌ               ｔｈｉｎｋｉｎｇ               ｓｋｉｌｌｓ.
               Ｔｈｅｒｅ               ａｒｅ               ｍａｎｙ               ｇｏｏｄ               ｏｎｌｉｎｅ               ｓｃｈｏｏｌｓ,               ａｓ               ｗｅｌｌ               ａｓ               ｍａｎｙ               ｂｒｉｃｋ-ａｎｄ-ｍｏｒｔａｒ               ｉｎｓｔｉｔｕｔｉｏｎｓ               ｔｈａｔ               ａｌｓｏ               ｐｒｏｖｉｄｅ               ｏｎｌｉｎｅ               ｅｄｕｃａｔｉｏｎ;               ｈｏｗｅｖｅｒ,               ｉｎｔｅｎｓｉｖｅ               ｒｅｓｅａｒｃｈ               ｉｓ               ｔｈｅ               ｋｅｙ               ｉｎ               ｏｂｔａｉｎｉｎｇ               ｔｈｅ               ｋｎｏｗｌｅｄｇｅ               ｏｆ               ｐｉｃｋｉｎｇ               ｔｈｅ               ｂｅｓｔ               ｕｎｉｖｅｒｓｉｔｙ               ｏｒ               ｃｏｌｌｅｇｅ               ｔｈａｔ               ｉｓ               ｒｉｇｈｔ               ｆｏｒ               ｙｏｕ.

Ｔｈｅｒｅ               ａｒｅ               ｏｔｈｅｒ               ｆａｃｔｏｒｓ               ｔｏ               ｃｏｎｓｉｄｅｒ               ｂｅｓｉｄｅｓ               ａｃｃｒｅｄｉｔａｔｉｏｎ,               ｓｅｌｅｃｔｉｏｎ               ｏｆ               ｍａｊｏｒｓ,               ａｎｄ               ｑｕａｌｉｔｙ               ｏｆ               ｅｄｕｃａｔｉｏｎ               -               ｃｏｓｔ               ｉｓ               ａｎｏｔｈｅｒ               ｉｍｐｏｒｔａｎｔ               ｉｓｓｕｅ               ｔｏ               ｃｏｎｓｉｄｅｒ.

Ｍａｎｙ               ｏｎｌｙ               ｏｎｌｉｎｅ               ｓｃｈｏｏｌｓ               ｒｅｑｕｉｒｅ               ＳＡＴ               ｏｒ               ＧＲＥ               ｓｃｏｒｅｓ               ｉｎ               ｏｒｄｅｒ               ｔｏ               ｂｅ               ｃｏｎｓｉｄｅｒｅｄ               ｆｏｒ               ａｄｍｉｔｔａｎｃｅ               ｉｎｔｏ               ｔｈｅｉｒ               ｐｒｏｇｒａｍｓ.

Ｓｉｎｃｅ               ｍｙ               ＧＰＡ               ｗａｓ               ｖｅｒｙ               ｈｉｇｈ,               Ｔｒｏｙ               ａｃｃｅｐｔｅｄ               ｔｈａｔ               ｉｎ               ｌｉｅｕ               ｏｆ               ｔｅｓｔ               ｓｃｏｒｅｓ;               ｈｏｗｅｖｅｒ,               ｔｈｅ               ｓｃｈｏｏｌ               ｉｓ               ｓｌｉｇｈｔｌｙ               ｃｏｍｐｅｔｉｔｉｖｅ               ａｎｄ               ｎｏｒｍａｌｌｙ               ｒｅｑｕｉｒｅｓ               ＳＡＴ               ｓｃｏｒｅｓ.

Ｈｏｗｅｖｅｒ,               ｅｖｅｒｙ               ｉｎｓｔｉｔｕｔｉｏｎ               ｈａｓ               ｔｈｅｉｒ               ｏｗｎ               ｓｅｔ               ｏｆ               ｒｅｑｕｉｒｅｍｅｎｔｓ               ｆｏｒ               ａｄｍｉｓｓｉｏｎ,               ｓｏ               ｔｈｅ               ｂｅｓｔ               ｔｈｉｎｇ               ｔｏ               ｄｏ               ｉｓ               ｒｅｓｅａｒｃｈ               ａｓ               ｍａｎｙ               ｓｃｈｏｏｌｓ               ａｓ               ｐｏｓｓｉｂｌｅ               ｉｎ               ｏｒｄｅｒ               ｔｏ               ｆｉｎｄ               ｏｎｅ               ｔｈａｔ               ｂｅｓｔ               ｓｕｉｔｓ               ｙｏｕｒ               ｎｅｅｄｓ               ａｎｄ               ｙｏｕｒ               ａｂｉｌｉｔｉｅｓ.






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    2013년 11월 28일 목요일

    오전 12:42

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    About 'lincolncollege.edu'|lincolncollege.edu







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    2013년 11월 27일 수요일

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                   Ｉ               ｃａｍｅ               ｔｏ               Ｎｅｗ               Ｙｏｒｋ               Ｃｉｔｙ               ａｂｏｕｔ               12               ｙｅａｒｓ               ａｇｏ               ｔｏ               ｐｕｒｓｕｅ               ｔｈｅ               ｄｒｅａｍ               ｏｆ               ｐｅｒｆｏｒｍｉｎｇ               ｏｎ               ｔｈｅ               ｂｉｇ               ｓｔａｇｅ               ｏｒ               ａｎｙ               ｓｔａｇｅ               ｒｅａｌｌｙ.

    Ｉｔ               ｄｉｄ               ｎｏｔ               ｔａｋｅ               ｌｏｎｇ               ｂｅｆｏｒｅ               Ｉ               ｒｅａｌｉｚｅｄ               ｔｈａｔ               ｔｈｅｒｅ               ａｒｅ               ｍａｎｙ               ｏｔｈｅｒｓ               ｗｈｏ               ａｒｒｉｖｅ               ｉｎ               ｔｈｉｓ               ｃｉｔｙ               ｗｉｔｈ               ａ               ｖｅｒｙ               ｓｉｍｉｌａｒ               ｄｒｅａｍ               ａｎｄ               ａｒｅ               ｅｑｕｉｐｐｅｄ               ｗｉｔｈ               ｍｏｒｅ               ｔａｌｅｎｔ,               ｍｏｒｅ               ｃｏｎｎｅｃｔｉｏｎｓ               ａｎｄ               ｍｕｃｈ               ｔｈｉｃｋｅｒ               ｓｋｉｎ.
                   Ａｆｔｅｒ               ｍａｎｙ               ａｕｄｉｔｉｏｎｓ               (ｏｒ               Ｉ               ｓｈｏｕｌｄ               ｓａｙ               ｒｅｊｅｃｔｉｏｎｓ),               Ｉ               ｄｅｃｉｄｅｄ               ｔｏ               ｇｉｖｅ               ｍｙｓｅｌｆ               ｏｎｅ               ｌａｓｔ               ｃｈａｎｃｅ               ｔｏ               ｍａｋｅ               ｉｔ               ｗｏｒｋ               ｂｅｆｏｒｅ               ｔｈｒｏｗｉｎｇ               ｉｎ               ｔｈｅ               ｔｏｗｅｌ.

    Ｉ               ｓａｗ               ａ               ｐｏｓｔｉｎｇ               ｆｏｒ               ａｎ               ｏｐｅｎ               ｃａｌｌ               ａｕｄｉｔｉｏｎ               ｆｏｒ               ａｎ               Ｏｆｆ-Ｂｒｏａｄｗａｙ               ｒｅｖｉｖａｌ               ｏｆ               Ｂｏｙ'ｓ               Ｌｉｆｅ               ｂｙ               Ｈｏｗａｒｄ               Ｋｏｒｄｅｒ.

    Ｉ               ｒｅｍｅｍｂｅｒｅｄ               ｄｏｉｎｇ               ａ               ｓｃｅｎｅ               ｆｒｏｍ               ｔｈｅ               ｐｌａｙ               ｉｎ               ｃｏｌｌｅｇｅ               ａｎｄ               ｈａｖｉｎｇ               ａ               ｂｌａｓｔ               ｗｉｔｈ               ｍｙ               ｓｃｅｎｅ               ｐａｒｔｎｅｒ               ｓｏ               Ｉ               ｔｈｏｕｇｈｔ               ｍａｙｂｅ               ｔｈｉｓ               ｉｓ               ｔｈｅ               ｓｉｇｎ               Ｉ               ｎｅｅｄｅｄ               ａｎｄ               Ｉ               ｗｏｕｌｄ               ｇｅｔ               ｔｈｅ               ｏｐｐｏｒｔｕｎｉｔｙ               ｔｏ               ｋｅｅｐ               ｔｈｅ               ｄｒｅａｍ               ａｌｉｖｅ               ｗｈｉｌｅ               ｐｅｒｆｏｒｍｉｎｇ               ｉｎ               ａ               ｒｅａｌｌｙ               ｆｕｎ               ｐｌａｙ.
                   Ｓａｄｌｙ,               Ｉ               ｄｉｄ               ｎｏｔ               ｇｅｔ               ｔｈｅ               ｒｏｌｅ               (ａｎｄ               ｉｔ               ｗａｓ               ｅｘａｃｔｌｙ               ｔｈｅ               ｓｉｇｎ               Ｉ               ｎｅｅｄｅｄ)               ｂｕｔ               ｉｔ               ｗａｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｍｏｓｔ               ｅｎｊｏｙａｂｌｅ               ａｕｄｉｔｉｏｎｓ               ａｎｄ               ｒｅｊｅｃｔｉｏｎｓ               Ｉ               ｈａｖｅ               ｅｖｅｒ               ｒｅｃｅｉｖｅｄ.

    Ｉ               ｗａｓ               ｖｅｒｙ               ｍｕｃｈ               ｔａｋｅｎ               ｂｙ               ｔｈｅ               ｉｎｆｅｃｔｉｏｕｓ               ｅｎｔｈｕｓｉａｓｍ               ｏｆ               ｔｈｅ               ｐｒｏｄｕｃｉｎｇ               ｃｏｍｐａｎｙ,               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               Ｔｈｅａｔｒｅ               Ｃｏｍｐａｎｙ.

    Ａｌｔｈｏｕｇｈ               Ｉ               ｄｉｄ               ｎｏｔ               ｇｅｔ               ｔｈｅ               ｒｏｌｅ,               Ｉ               ｓｔｉｌｌ               ｗａｎｔｅｄ               ｔｏ               ｓｕｐｐｏｒｔ               ｔｈｉｓ               ｙｏｕｎｇ               ｕｐｓｔａｒｔ               ａｎｄ               ｓｅｅ               ｉｆ               ｔｈｅｉｒ               ｙｏｕｔｈｆｕｌ               ｅｎｔｈｕｓｉａｓｍ               ｗｏｕｌｄ               ｃａｒｒｙ               ｏｖｅｒ               ｔｏ               ｔｈｅ               ｓｔａｇｅ.
                   Ｓｏ               ｏｎ               Ｓｅｐｔｅｍｂｅｒ               10,               2001,               Ｉ               ｍａｒｃｈｅｄ               ｕｐ               ｔｈｅ               ｓｔｅｅｐ               ｓｔａｉｒｓ               ｔｏ               ｔｈｅ               ＰＣ2               ｔｈｅａｔｒｅ               ｉｎ               Ｍｉｄｔｏｗｎ               ａｎｄ               ｗａｓ               ｔｒｅａｔｅｄ               ｔｏ               ａ               ｗｏｎｄｅｒｆｕｌ               ｐｒｏｄｕｃｔｉｏｎ               ｏｆ               Ｂｏｙ'ｓ               Ｌｉｆｅ               ｗｉｔｈ               ａ               ｔｒｕｌｙ               ｆａｎｔａｓｔｉｃ               ｃａｓｔ.
                   Ｉ               ａｗｏｋｅ               ｔｈｅ               ｎｅｘｔ               ｍｏｒｎｉｎｇ               ｔｏ               ｌｏｏｋ               ａｔ               ｔｈｅ               ｒｅｖｉｅｗｓ               ｒａｎ               ｓｅｅ               ｉｆ               ｍｙ               ｃｒｉｔｉｃａｌ               ｅｙｅ               ｍａｔｃｈｅｄ               ｔｈａｔ               ｏｆ               ｔｈｅ               ｐｒｏｓ               ｏｎｌｙ               ｔｏ               ｗｉｔｎｅｓｓ               ｔｈｅ               ｕｎｓｐｅａｋａｂｌｅ               ｄｅｖａｓｔａｔｉｏｎ               ｔｈａｔ               ｗａｓ               ｈａｐｐｅｎｉｎｇ               ａｔ               ｔｈｅ               Ｗｏｒｌｄ               Ｔｒａｄｅ               Ｃｅｎｔｅｒ.

    Ｕｎｄｅｒｓｔａｎｄａｂｌｙ,               ｆｅｗ               ｗｏｕｌｄ               ｇｅｔ               ｔｏ               ｒｅａｄ               ｗｈａｔ               ｔｈｅ               ＮＹ               Ｔｉｍｅｓ               ｓａｉｄ               ａｂｏｕｔ               ｔｈｅ               ｙｏｕｎｇ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｙ'ｓ               Ｎｅｗ               Ｙｏｒｋ               ｄｅｂｕｔ…
                   "Ｆｏｒｅｐｌａｙ               ｔｈａｔ'ｓ               ｓｏ               ｆｕｎｎｙ,               ｓｅｘ               ｉｓ               ｊｕｓｔ               ｓｕｐｅｒｆｌｕｏｕｓ.

    Ｔｈｅ               ｄｉｒｅｃｔｏｒ,               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ,               ａｎｄ               ｔｈｅ               ｃａｓｔ               ｏｆ               ｔｈｅ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               Ｐｒｏｄｕｃｔｉｏｎｓ               ｒｅｖｉｖａｌ               ｏｆ               ｔｈｅ               ｐｌａｙ               ａｔ               ＰＣ2               ａｐｐｅａｒ               ｔｏ               ｔａｋｅ               ａｌｌ               ｔｈｉｓ               ａｓ               ａ               ｃｈａｌｌｅｎｇｅ               ｔｈａｔ               ｔｈｅｙ               ｔｈｏｒｏｕｇｈｌｙ               ｅｎｊｏｙ               ｍｅｅｔｉｎｇ,               ａｎｄ               ｔｈｅｉｒ               ｅｎｔｈｕｓｉａｓｍ               ｃａｎ               ｂｅ               ｃａｔｃｈｉｎｇ.

    Ｍｒ.

    ＤｅＣｏｒｌｅｔｏ               ｋｅｅｐｓ               ｔｈｅ               ｂｒｉｅｆ,               ｄｉｓｃｏｎｎｅｃｔｅｄ               ｅｐｉｓｏｄｅｓ               ｍｏｖｉｎｇ               ｓｏ               ｆａｓｔ               ｏｎ               Ｊｏｈｎ               Ｗｉｅｓｅ'ｓ               Ｌｅｇｏ-ｌｉｋｅ               ｓｅｔ               ｔｈａｔ               ｏｎｅ               ｆｏｒｇｅｔｓ               ｔｈａｔ               ｔｈｅ               ｏｒｉｇｉｎａｌ               Ｌｉｎｃｏｌｎ               Ｃｅｎｔｅｒ               Ｔｈｅａｔｅｒ               ｐｒｏｄｕｃｔｉｏｎ               ｏｆｔｅｎ               ｆｅｌｔ               ａｎｎｏｙｉｎｇｌｙ               ｌｉｋｅ               ａ               ｓｔｒｉｎｇ               ｏｆ               ｄｉｓｃｒｅｔｅ               ｂｌａｃｋｏｕｔｓ."               -               Ｔｈｅ               Ｎｅｗ               Ｙｏｒｋ               Ｔｉｍｅｓ,               Ｓｅｐｔｅｍｂｅｒ               11,               2001.
                   Ｔｈｅ               ＮＹ               Ｐｏｓｔ               ｒａｖｅｄ,               ｔｏｏ               "Ｔｈｅ               ｐｌａｙ...

    ｉｓ               ｂｒｏｕｇｈｔ               ｔｏ               ｈｉｌａｒｉｏｕｓ,               ｓａｄ,               ｖｉｖｉｄ               ｌｉｆｅ               ｂｙ               ｔｈｅ               ｓｐｏｔ-ｏｎ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｏｆ               Ｈｏｆｆ,               Ｌａｕｅｒ               ａｎｄ               Ｋｏｃｈ.

    Ｅｖｅｒｙ               ｎｏｗ               ａｎｄ               ａｇａｉｎ               ａ               ｐｌａｙ               ｆｉｎａｌｌｙ               ｆｉｎｄｓ               ａ               ｇｒｏｕｐ               ｏｆ               ｐｅｏｐｌｅ               ｗｈｏ               ｋｎｏｗ               ｗｈａｔ               ｉｔ               ｎｅｅｄｓ,"               ａｎｄ               ｔｈｅ               Ｗｅｓｔ               Ｓｉｄｅ               Ｓｐｉｒｉｔ               ｎａｍｅｄ               Ｂｏｙ'ｓ               Ｌｉｆｅ,               Ｔｈｅａｔｒｅ               Ｐｉｃｋ               ｏｆ               ｔｈｅ               Ｗｅｅｋ,               ｓｔａｔｉｎｇ               "Ｉｆ               ｔｈｉｓ               ｉｓ               ｗｈａｔ               ｔｈｅｙ               ｃｏｎｓｉｄｅｒ               ｂｒｏｋｅｎ,               ｔｈｅｎ               ｌｅｔ'ｓ               ｈｏｐｅ               ｔｈｅｙ               ｎｅｖｅｒ               ｆｉｘ               ｉｔ."
                   Ｉｔ               ｗａｓ               ａ               ｖｅｒｙ               ｂｉｔｔｅｒｓｗｅｅｔ               ｖｉｃｔｏｒｙ,               ｔｈｉｓ               ｙｏｕｎｇ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｙ               ｇｅｔｓ               ｐｏｓｉｔｉｖｅ               ｒｅｃｏｇｎｉｔｉｏｎ               ｂｙ               ｔｈｅ               Ｎｅｗ               Ｙｏｒｋ               ｍｅｄｉａ               ｔｈｅｉｒ               ｆｉｒｓｔ               ｔｉｍｅ               ｏｕｔ               ｂｕｔ               ｉｔ               ｄｉｄｎ'ｔ               ｍａｔｔｅｒ               ｂｅｃａｕｓｅ               ｗｏｒｌｄ               ｅｖｅｎｔｓ               ｍａｄｅ               ｔｈｅｍ               ａｎ               ａｆｔｅｒｔｈｏｕｇｈｔ.

    Ａｓ               ｔｈｅ               ｓａｙｉｎｇ               ｇｏｅｓ               "ｔｈｅ               ｓｈｏｗ               ｍｕｓｔ               ｇｏ               ｏｎ"               ａｎｄ               ｉｔ               ｄｉｄ,               ｔｈｅ               ｃａｓｔ               ｔｏｏｋ               ａ               ｆｅｗ               ｄａｙｓ               ｏｆｆ               ａｎｄ               ｈｅｌｐｅｄ               ｏｕｔ               ａｔ               Ｇｒｏｕｎｄ               Ｚｅｒｏ               ａｎｄ               ｔｈｅｎ               ｗｅｎｔ               ｂａｃｋ               ｔｏ               ｐｅｒｆｏｒｍｉｎｇ               ｔｏ               ｓｍａｌｌ               ｐｒｅｏｃｃｕｐｉｅｄ               ｈｏｕｓｅｓ.
                   Ｓｉｎｃｅ               ｔｈａｔ               ｖｅｒｙ               ｆｉｒｓｔ               ｓｈｏｗ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               ｈａｓ               ｐｒｏｄｕｃｅｄ               10               ｆｕｌｌｙ               ｓｔａｇｅｄ               ｐｒｏｄｕｃｔｉｏｎｓ,               ｓｅｖｅｎ               ｗｏｒｌｄ               ｐｒｅｍｉｅｒｅｓ,               ｔｈｒｅｅ               ｏｆ               ｗｈｉｃｈ               ｈａｖｅ               ｂｅｅｎ               ｐｕｂｌｉｓｈｅｄ               ａｎｄ               ｐｒｏｄｕｃｅｄ               ａｒｏｕｎｄ               ｔｈｅ               ｃｏｕｎｔｒｙ,               ａｎｄ               ｃｏｕｎｔｌｅｓｓ               ｗｏｒｋｓｈｏｐｓ               ａｎｄ               ｒｅａｄｉｎｇｓ.

    Ｔｈｅｙ               ａｌｓｏ               ｔｏｏｋ               ｏｖｅｒ               ａｎｄ               ｒａｎ               ａｎｄ               ａｎ               Ｏｆｆ-Ｂｒｏａｄｗａｙ               ｔｈｅａｔｒｅ,               ｌｏｓｔ               ａｎ               Ｏｆｆ-Ｂｒｏａｄｗａｙ               ｔｈｅａｔｒｅ               ａｎｄ               ｏｆｆｅｒｅｄ               ｓｕｐｐｏｒｔ               ａｎｄ               ａｄｖｉｃｅ               ｔｏ               ｎｕｍｅｒｏｕｓ               ｏｆｆ               Ｂｒｏａｄｗａｙ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｉｅｓ.
                   Ｒｅｃｅｎｔｌｙ               Ｉ               ｈａｄ               ａ               ｃｈａｎｃｅ               ｔｏ               ｓｉｔ               ｄｏｗｎ               ｗｉｔｈ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ,               Ａｒｔｉｓｔｉｃ               Ｄｉｒｅｃｔｏｒ               ｏｆ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               ｔｏ               ｃｈａｔ               ａｂｏｕｔ               ｂｅｉｎｇ               ａｒｏｕｎｄ               ｆｏｒ               10               ｙｅａｒｓ               ａｎｄ               ｗｈａｔ               ｔｈｅｙ               ｈａｖｅ               ｐｌａｎｎｅｄ               ｆｏｒ               ｔｈｅ               ｎｅｘｔ               10.
                   Ｌｉｌｌｙ               Ｃｈａｒｌｅｓ:               Ｈｅｌｌｏ               Ｄｒｅｗ,               ｃｏｎｇｒａｔｓ               ｏｎ               ｂｅｉｎｇ               ｔｅｎ               ｙｅａｒｓ               ｏｌｄ,               ｔｈａｔ'ｓ               ｑｕｉｔｅ               ａ               ｍｉｌｅｓｔｏｎｅ               ｆｏｒ               ａｎ               Ｏｆｆ-               Ｂｒｏａｄｗａｙ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｙ.
                   Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ:               Ｔｈａｎｋｓ,               ｉｔ               ｉｓ               ｑｕｉｔｅ               ａ               ｆｅａｔ,               ｅｓｐｅｃｉａｌｌｙ               ｃｏｎｓｉｄｅｒｉｎｇ               ｈｏｗ               ｗｅ               ｓｔａｒｔｅｄ               ａｎｄ               ｔｈｅ               ｒｏｌｌｅｒｃｏａｓｔｅｒ               ｏｆ               ａ               ｒｉｄｅ               ｔｈａｔ               ｗｅ               ｈａｖｅ               ｂｅｅｎ               ｏｎ               ｓｉｎｃｅ.
                   ＬＣ:               Ｃａｎ               ｙｏｕ               ｅｘｐｌａｉｎ?
                   ＤＤ:               Ｓｕｒｅ.

    Ｔｈｅ               ｃｏｍｐａｎｙ               ｗａｓ               ｏｒｉｇｉｎａｌｌｙ               ｍａｄｅ               ｕｐ               ｆｒｏｍ               ａ               ｂｕｎｃｈ               ｏｆ               ａｃｔｏｒｓ               ｆｒｏｍ               Ｂｏｓｔｏｎ               Ｃｏｎｓｅｒｖａｔｏｒｙ               ａｎｄ               ｌｉｋｅ               ｍｏｓｔ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｉｅｓ               ｗｅ               ｈａｄ               ｏｕｒ               ｅｙｅｓ               ｏｎ               ｔｈｅ               ｐｒｉｚｅ.

    Ｗｅ               ｗａｎｔｅｄ               ｔｏ               ｔａｋｅ               ｏｖｅｒ               ＮＹ               ｗｉｔｈ               ｎｅｗ,               ｅｄｇｙ               ｐｌａｙｓ               ｔｈａｔ               ｗｅ               ｃｏｕｌｄ               ｓｔａｒ               ｉｎ               ａｎｄ               ｄｉｒｅｃｔ.

    Ｔｏ               ｔｅｓｔ               ｔｈｅ               ｓｃｅｎｅ               ｗｅ               ｄｉｄ               ａ               ｓｍａｌｌ               ｔｗｏ               ｗｅｅｋ               ｓｈｏｗｃａｓｅ               ｏｆ               Ｈｏｗａｒｄ               Ｋｏｒｄｅｒ'ｓ               Ｂｏｙｓ               Ｌｉｆｅ               ｗｈｉｃｈ               ｗｅｎｔ               ｒｅａｌｌｙ               ｗｅｌｌ               ｓｏ               ｗｅ               ｄｅｃｉｄｅｄ               ｔｏ               ｄｏ               ａ               ｆｕｌｌ               ｐｒｏｄｕｃｔｉｏｎ.

    Ｗｅ               ｗｅｒｅ               ｖｅｒｙ               ｆｏｒｔｕｎａｔｅ               ｔｏ               ｇｅｔ               ｔｈｅ               ｍｅｄｉａ               ａｔｔｅｎｔｉｏｎ               ｗｅ               ｄｉｄ,               ｂｕｔ               ｗｅ               ｏｐｅｎｅｄ               ｏｎ               Ｓｅｐｔｅｍｂｅｒ               10,               2011               ａｎｄ               ｏｕｒ               Ｎｅｗ               Ｙｏｒｋ               Ｔｉｍｅｓ               ｒｅｖｉｅｗｓ               ｒａｎ               ｏｎ               Ｓｅｐｔｅｍｂｅｒ               11ｔｈ               -               ｔａｌｋ               ａｂｏｕｔ               ａｎ               ｅｍｏｔｉｏｎａｌ               ｒｏｌｌｅｒ               ｃｏａｓｔｅｒ.
                   ＬＣ:               Ｈｏｗ               ｄｏ               ｙｏｕ               ｃｏｍｅ               ｂａｃｋ               ｆｒｏｍ               ｓｏｍｅｔｈｉｎｇ               ｌｉｋｅ               ｔｈａｔ?
                   ＤＤ:               Ｗｅ               ｒａｉｓｅｄ               ｍｏｒｅ               ｍｏｎｅｙ               ａｎｄ               ｐｕｓｈｅｄ               ｏｎ.

    Ｗｅ               ｄｅｃｉｄｅｄ               ｔｏ               ｄｏ               ａ               ｐｌａｙ               ｂｙ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               ｃａｌｌｅｄ               ＳＰＬＩＴ               ａｎｄ               ｓｔｅｐ               ｕｐ               ｏｕｒ               ｐｒｏｄｕｃｔｉｏｎ               ｖａｌｕｅｓ               ａｎｄ               ｈｏｐｅｄ               ｔｈａｔ               ｌｉｇｈｔｎｉｎｇ               ｓｔｒｉｋｅｓ               ｔｗｉｃｅ.

    Ｄｏｉｎｇ               ｔｈａｔ               ｓｈｏｗ               ｗａｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｂｅｓｔ               ｄｅｃｉｓｉｏｎｓ               ｗｅ,               ａｓ               ａ               ｃｏｍｐａｎｙ               ｃｏｕｌｄ               ｈａｖｅ               ｍａｄｅ,               ｂｅｃａｕｓｅ               ｉｔ               ｉｎｔｒｏｄｕｃｅｄ               ｕｓ               ｔｏ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｗｅｌｌｅｒ               ｗｈｏ               ｈａｓ               ｂｅｅｎ               ａｎ               ａｍａｚｉｎｇ               ｓｕｐｐｏｒｔｅｒ               ａｎｄ               ｃｏｎｆｉｄａｎｔ               ｔｏ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               ｅｖｅｒ               ｓｉｎｃｅ.
                   ＬＣ:               Ｈｏｗ               ｄｉｄ               ＳＰＬＩＴ               ｄｏ?
                   ＤＤ:               Ｉｔ               ｄｉｄ               ｐｒｅｔｔｙ               ｗｅｌｌ,               Ｉ               ｔｈｉｎｋ               ｏｎｅ               ｏｆ               ｔｈｅ               ｒｅｖｉｅｗｓ               ｓａｉｄ               ｓｏｍｅｔｈｉｎｇ               ａｌｏｎｇ               ｔｈｅ               ｌｉｎｅｓ               ｏｆ               "…Ｂｒｏｋｅｎ               Ｗａｔｃｈ'ｓ               ｐｒｏｄｕｃｔｉｏｎｓ               ｃｏｕｌｄ               ｃｈａｌｌｅｎｇｅ               ｍａｎｙ               ｏｆ               ｔｈｅ               ｈｉｇｈ-ｐｒｏｆｉｌｅ               ｓｔａｒ               ｐａｃｋａｇｅｓ               Ｏｎ               ａｎｄ               Ｏｆｆ-Ｂｒｏａｄｗａｙ"               ａｎｄ               ｔｈａｔ               ｗａｓ               ｇｒｅａｔ               ｔｏ               ｈｅａｒ.

    Ｈａｖｉｎｇ               ｐｅｏｐｌｅ               ｓａｙ               ｔｈｉｎｇｓ               ｌｉｋｅ               ｔｈａｔ               ａｂｏｕｔ               ｕｓ               ｈａｓ               ｂｅｅｎ               ｒｅａｌｌｙ               ｈｅｌｐｆｕｌ               ａｎｄ               ｈａｓ               ｂｅｅｎ               ａｂｌｅ               ｔｏ               ａｆｆｏｒｄ               ｕｓ               ｔｈｅ               ｏｐｐｏｒｔｕｎｉｔｙ               ｔｏ               ｗｏｒｋ               ｗｉｔｈ               ｏｔｈｅｒ               ａｍａｚｉｎｇ               ｐｌａｙｗｒｉｇｈｔｓ               ｌｉｋｅ               Ｃｈｒｉｓｔｏｐｈｅｒ               Ｋｙｌｅ,               Ｅｄｗａｒｄ               Ａｌｌｅｎ               Ｂａｋｅｒ,               Ｐａｄｒａｉｃ               Ｌｉｌｌｉｓ…ｅｔｃ.
                   ＬＣ:               Ｈｏｗ               ｄｉｄ               ｙｏｕ               ｆｏｌｌｏｗ               ｔｈａｔ               ｕｐ?
                   ＤＤ:               Ｗｅ               ａｌｗａｙｓ               ｋｎｅｗ               ｗｅ               ｗａｎｔｅｄ               ｔｏ               ｄｏ               ｎｅｗ               ｗｏｒｋｓ               ｂｙ               ｕｐ-ａｎｄ-ｃｏｍｉｎｇ               ｐｌａｙｗｒｉｇｈｔｓ               ｓｏ               ｗｅ               ｍａｄｅ               ａ               ｄｅｃｉｓｉｏｎ               ｔｏ               ｏｎｌｙ               ｆｏｃｕｓ               ｏｎ               ｎｅｗ               ｐｌａｙｓ.

    Ａｓ               ａ               ｃｏｍｐａｎｙ               ｗｅ               ｗｏｒｋ               ｖｅｒｙ               ｗｅｌｌ               ｗｉｔｈ               ｐｌａｙｗｒｉｇｈｔｓ               ｄｅｖｅｌｏｐｉｎｇ               ｎｅｗ               ｗｏｒｋ               ａｎｄ               ｓｉｎｃｅ               ｗｅ               ｂｅｇａｎ               ｗｅ               ｈａｖｅ               ｇｏｎｅ               ｏｎ               ｔｏ               ｐｒｏｄｕｃｅ               ｅｉｇｈｔ               ｗｏｒｌｄ               ｐｒｅｍｉｅｒｅｓ               ａｎｄ               ｏｆ               ｔｈｏｓｅ               ｆｏｕｒ               ｈａｖｅ               ｂｅｅｎ               ｐｕｂｌｉｓｈｅｄ.
                   ＬＣ:               Ｔｈａｔ'ｓ               ａ               ｐｒｅｔｔｙ               ｇｏｏｄ               ｔｒａｃｋ               ｒｅｃｏｒｄ               ｆｏｒ               ａ               ｓｍａｌｌ               ｃｏｍｐａｎｙ.
                   ＤＤ:               Ｉ               ａｍ               ｔｈｒｉｌｌｅｄ               ａｂｏｕｔ               ｉｔ.

    Ｗｈａｔ               ｒｅａｌｌｙ               ｍａｄｅ               ｉｔ               ｐｏｓｓｉｂｌｅ               ｗａｓ               ｔｈａｔ               ａｆｔｅｒ               ｊｕｍｐｉｎｇ               ｓｐａｃｅ               ｔｏ               ｓｐａｃｅ               ａｎｄ               ｏｐｐｏｒｔｕｎｉｔｙ               ｔｏ               ｒｕｎ               ａ               ｔｈｅａｔｒｅ               ｃａｍｅ               ｕｐ               ａｎｄ               ｗｅ               ｊｕｍｐｅｄ               ｏｎ               ｉｔ.

    Ｉｔ               ｗａｓ               ａ               50               ｓｅａｔ               ｍｉｄｔｏｗｎ               ｔｈｅａｔｒｅ               ｗｈｉｃｈ               ｗｅ               ｓｕｂｓｅｑｕｅｎｔｌｙ               ｎａｍｅｄ               Ｔｈｅ               Ｍｉｃｈｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ.

    Ｈａｖｉｎｇ               ｏｕｒ               ｏｗｎ               ｓｐａｃｅ               ｇａｖｅ               ｕｓ               ｔｈｅ               ｏｐｐｏｒｔｕｎｉｔｙ               ｔｏ               ｒｅｓｅａｒｃｈ               ａｎｄ               ｄｅｖｅｌｏｐ               ｐｌａｙｓ               ａｎｄ               ｗｏｒｋ               ｏｎ               ｔｈｅｍ               ｆｏｒ               ａ               ｗｈｉｌｅ               ｂｅｆｏｒｅ               ｐｕｔｔｉｎｇ               ｔｈｅｍ               ｕｐ               ｉｎ               ｆｒｏｎｔ               ｏｆ               ａｎ               ａｕｄｉｅｎｃｅ.

    Ｔｈｅ               ｓｐａｃｅ               ａｌｓｏ               ａｃｔｅｄ               ａｓ               ａｎ               ｅｘｔｒａ               ｒｅｖｅｎｕｅ               ｓｏｕｒｃｅ,               ａｌｌｏｗｉｎｇ               ｕｓ               ｔｏ               ｐｕｔ               ｍｏｒｅ               ｍｏｎｅｙ               ｔｏｗａｒｄｓ               ｐｒｏｄｕｃｔｉｏｎｓ.

    Ｉｎ               2008,               ｔｈｅ               ｌａｎｄｌｏｒｄ               ｄｅｃｉｄｅｄ               ｔｈａｔ               ｉｔ               ｎｏ               ｌｏｎｇｅｒ               ｗａｎｔｅｄ               ｔｈｅａｔｒｅｓ               ｉｎ               ｔｈｅ               ｂｕｉｌｄｉｎｇ               ａｎｄ               ｄｉｄ               ｎｏｔ               ｒｅｎｅｗ               ｏｕｒ               ｌｅａｓｅ.

    Ｆｏｒ               ｕｓ               ｉｔ               ｗａｓ               ｄｅｖａｓｔａｔｉｎｇ,               ｉｔ               ｗａｓ               ａ               ｌｏｓｓ               ｏｆ               ｒｅｖｅｎｕｅ,               ｒｅｈｅａｒｓａｌ               ｓｐａｃｅ,               ａｎｄ               ａ               ｐｌａｃｅ               ｆｏｒ               ｕｓ               ａｎｄ               ｏｔｈｅｒ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｉｅｓ               ｔｏ               ｐｌａｙ               ａｎｄ               ｔｒｙ               ｔｏ               ｇｅｔ               ｐｌａｙｓ               ｏｆｆ               ｔｈｅ               ｇｒｏｕｎｄ.

    Ｔｈａｔ'ｓ               ｗｈａｔ               Ｉ               ｍｉｓｓ               ｔｈｅ               ｍｏｓｔ.

    Ｔｈｅ               ｏｐｐｏｒｔｕｎｉｔｉｅｓ               ｗｅ               ｇａｖｅ               ｔｏ               ｏｔｈｅｒ               ｔｈｅａｔｒｅ               ｃｏｍｐａｎｉｅｓ               ｉｎ               ｏｕｒ               ｓｐａｃｅ.
                   ＬＣ:               Ｉｓ               ｔｈｅ               ｌｏｓｓ               ｏｆ               ｔｈｅ               ｓｐａｃｅ               ｏｎｅ               ｏｆ               ｔｈｅ               ｒｅａｓｏｎｓ               ｗｈｙ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               ｈａｓ               ｂｅｅｎ               ｑｕｉｅｔ               ｌａｔｅｌｙ?
                   ＤＤ:               Ｉｔ               ｉｓ               ＴＨＥ               ｒｅａｓｏｎ               ｗｈｙ               ｗｅ               ｈａｖｅ               ｂｅｅｎ               ｑｕｉｅｔ.

    Ｂｕｔ,               ｉｔ               ｍａｄｅ               ｕｓ,               ａｓ               ａ               ｔｈｅａｔｅｒ               ｃｏｍｐａｎｙ;               ｒｅｅｖａｌｕａｔｅ               ｗｈａｔ               ｗｅ               ｗａｎｔ               ｔｏ               ｄｏ               ａｎｄ               ｈｏｗ               ｗｅ               ｗａｎｔ               ｔｏ               ｄｏ               ｉｔ.

    Ｗｅ               ｗｅｒｅ               ａｂｌｅ               ｔｏ               ｒｅｂｕｉｌｄ               ｏｕｒ               Ｂｏａｒｄ               ｏｆ               Ｄｉｒｅｃｔｏｒｓ               ｔｈａｔ               ｉｎｃｌｕｄｅｓ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               ａｎｄ               Ｃｈｒｉｓｔｏｐｈｅｒ               Ｋｙｌｅ               ａｎｄ               ｃａｓｔｉｎｇ               ｇｕｒｕ               Ｓｔｅｐｈａｎｉｅ               Ｋｌａｐｐｅｒ               ａｎｄ               ｏｔｈｅｒｓ.

    Ｗｅ               ａｌｓｏ               ｐｕｔ               ｍｏｒｅ               ｆｏｃｕｓ               ｏｎ               ｏｕｒ               ｍｉｓｓｉｏｎ               ｏｆ               ｈｅｌｐｉｎｇ               ｄｅｖｅｌｏｐ               ｎｅｗ               ｐｌａｙｓ               ｂｙ               ｕｎｄｅｒｓｅｒｖｅｄ/ｕｎｄｅｒｖａｌｕｅｄ               ｐｌａｙｗｒｉｇｈｔｓ.

    Ｖｅｒｙ               ｓｏｏｎ               ｗｅ               ｗｉｌｌ               ｂｅ               ａｎｎｏｕｎｃｉｎｇ               ａ               ｎｅｗ               ｐｒｏｊｅｃｔ               ｗｅ               ｈａｖｅ               ｂｅｅｎ               ｄｅｖｅｌｏｐｉｎｇ               ｆｏｒ               ｔｈｅ               ｐａｓｔ               ｔｗｏ               ｙｅａｒｓ               ｔｈａｔ               ｄｏｅｓ               ｊｕｓｔ               ｔｈａｔ               ｉｎ               ａ               ｂｉｇ               ｗａｙ.
                   ＬＣ:               Ｓｏｕｎｄｓ               ｉｎｔｅｒｅｓｔｉｎｇ,               ｃａｎ               ｙｏｕ               ｔｅｌｌ               ｍｅ               ｍｏｒｅ               ａｂｏｕｔ               ｉｔ?
                   ＤＤ:               Ｎｏｔ               ｙｅｔ,               ｂｕｔ               ｗｈｅｎ               ｗｅ               ａｒｅ               ｒｅａｄｙ               ｔｏ               ａｎｎｏｕｎｃｅ               ｙｏｕ               ｗｉｌｌ               ｔｈｅ               ｆｉｒｓｔ               ｐｅｒｓｏｎ               ｗｅ               ｃａｌｌ.
                   ＬＣ:               Ｔｈａｎｋｓ,               ｗｈａｔ               ｄｏ               ｙｏｕ               ｈａｖｅ               ｃｏｍｉｎｇ               ｕｐ               ｎｅｘｔ?
                   ＤＤ:               Ｔｈｉｓ               Ｄｅｃｅｍｂｅｒ               ｗｅ               ａｒｅ               ｐｒｏｄｕｃｉｎｇ               ｔｗｏ               ｏｎｅ               ａｃｔｓ               ｂｙ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               ｉｎ               ａｎ               ｅｖｅｎｉｎｇ               ｔｈａｔ               ｗｅ               ａｒｅ               ｃａｌｌｉｎｇ               Ｓｅｘ               Ｇｏｏｄ,               Ｍｏｎｅｙ               Ｂａｄ.

    Ｉｔ'ｓ               ｇｏｉｎｇ               ｔｏ               ｂｅ               ａ               ｆｕｎ.

    Ｉｔ'ｓ               ａ               ｄｏｗｎ               ａｎｄ               ｄｉｒｔｙ               ｔｗｏ               ｗｅｅｋ               ｒｕｎ               ａｔ               Ｔｈｅ               Ｗｏｒｋｓｈｏｐ               Ｔｈｅａｔｒｅ               ｏｎ               Ｗｅｓｔ               36ｔｈ               Ｓｔｒｅｅｔ,               ｗｅ               ａｒｅ               ｎｏｍａｄｓ               ｏｎｃｅ               ａｇａｉｎ.

    Ｗｅ               ａｒｅ               ｐｕｔｔｉｎｇ               ｏｕｒ               ｃａｓｔ               ｔｏｇｅｔｈｅｒ               ａｎｄ               Ｉ               ｗｉｌｌ               ｄｉｒｅｃｔ               ｏｎｅ               ａｎｄ               Ｔｏｎｙ               Ｓｐｅｃｉａｌｅ               ｉｓ               ｄｉｒｅｃｔｉｎｇ               ｔｈｅ               ｏｔｈｅｒ.

    Ｏｕｒ               Ｂｏａｒｄ               ａｎｄ               Ｉ               ａｍ               ｖｅｒｙ               ｅｘｃｉｔｅｄ               ａｂｏｕｔ               ｔｈｉｓ               ｐｒｏｊｅｃｔ.
                   ＬＣ:               Ｔｈａｔ               ｉｓ               ｇｒｅａｔ               ｔｏ               ｈｅａｒ               ａｂｏｕｔ               ｔｈｅ               ｎｅｗ               ｓｈｏｗ,               Ｉ               ｃａｎｎｏｔ               ｗａｉｔ               ｔｏ               ｓｅｅ               ｉｔ.
                   ＤＤ:               Ｃａｎ'ｔ               ｗａｉｔ               ｔｏ               ｓｅｅ               ｙｏｕ               ｔｈｅｒｅ,               ａｎｄ               ｔｈａｎｋｓ               ｆｏｒ               ｔａｋｉｎｇ               ｔｏ               ｔｉｍｅ               ｔｏ               ｄｏ               ａ               ｆｏｌｌｏｗ               ｕｐ               ｗｉｔｈ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               Ｔｈｅａｔｒｅ,               10               ｙｅａｒｓ               ｌａｔｅｒ.

    Ｗｅ'ｒｅ               ｅｘｃｉｔｅｄ               ｔｏ               ｂｅ               ｂａｃｋ               ａｎｄ               ａｒｅ               ｈｏｐｉｎｇ               ｏｕｒ               ａｕｄｉｅｎｃｅ               ｉｓ               ｒｅａｄｙ               ｆｏｒ               ｔｈｅ               ｒｉｄｅ.

    Ｔｈｉｓ               ｓｈｏｗ               ｉｓ               ｇｏｉｎｇ               ｔｏ               ｂｅ               ｇｒｅａｔ.

    Ｔｗｏ               ｐｒｅｍｉｅｒｅ'ｓ               ｏｆ               Ｗｅｌｌｅｒ               ｏｎｅ               ａｃｔｓ…ｄｏｅｓ               ｉｔ               ｇｅｔ               ａｎｙ               ｂｅｔｔｅｒ               ｔｈａｔ               ｔｈａｔ?
                   Ｃｈｅｃｋ               ｏｕｔ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               Ｔｈｅａｔｒｅ'ｓ               ｕｐｃｏｍｉｎｇ               ｐｒｏｄｕｃｔｉｏｎ               Ｇｏｏｄ               Ｓｅｘ,               Ｂａｄ               Ｍｏｎｅｙ,               ｔｗｏ               ｏｎｅ-ａｃｔｓ               ｂｙ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ;               Ｎｏｗ               Ｔｈｅｒｅ'ｓ               Ｊｕｓｔ               ｔｈｅ               Ｔｈｒｅｅ               ｏｆ               Ｕｓ               ｄｉｒｅｃｔｅｄ               ｂｙ               Ｔｏｎｙ               Ｓｐｅｃｉａｌｅ               ａｎｄ               Ｒｕｌｅｓ               ｆｏｒ               Ｗｒｉｔｉｎｇ               Ｐｌａｙ               ｄｉｒｅｃｔｅｄ               ｂｙ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ.

    Ｔｈｅ               ｐｒｏｄｕｃｔｉｏｎ               ｗｉｌｌ               ｔａｋｅ               ｐｌａｃｅ               Ｄｅｃｅｍｂｅｒ               8               -               18,               2011               ａｔ               Ｔｈｅ               Ｗｏｒｋｓｈｏｐ               Ｔｈｅａｔｒｅ               (312               Ｗ.

    36ｔｈ               Ｓｔｒｅｅｔ).

    Ｆｏｒ               ｍｏｒｅ               ｉｎｆｏｒｍａｔｉｏｎ               ｖｉｓｉｔ               ｗｗｗ.ＢｒｏｋｅｎＷａｔｃｈ.ｏｒｇ
                   ＢＲＯＫＥＮ               ＷＡＴＣＨ               ＴＨＥＡＴＲＥ               ＣＯＭＰＡＮＹ'Ｓ               ＭＩＳＳＩＯＮ:
                   Ｂｒｏｋｅｎ               Ｗａｔｃｈ               Ｔｈｅａｔｒｅ               Ｃｏｍｐａｎｙ               ｉｓ               ｄｅｄｉｃａｔｅｄ               ｔｏ               ｄｅｖｅｌｏｐｉｎｇ               ｎｅｗ               ｗｏｒｋｓ               ｂｙ               ｐｌａｙｗｒｉｇｈｔｓ               ｔｈａｔ               ａｒｅ               ｕｎｄｅｒｖａｌｕｅｄ/ｕｎｄｅｒｓｅｒｖｅｄ/ｕｎｄｉｓｃｏｖｅｒｅｄ               ａｎｄ               ｕｌｔｉｍａｔｅｌｙ               ａｃｔｉｎｇ               ａｓ               ａ               ｓｐｒｉｎｇｂｏａｒｄ               ｔｏ               ｇａｉｎ               ｔｈｅｓｅ               ｐｉｅｃｅｓ               ａｎｄ               ｐｌａｙｗｒｉｇｈｔｓ               ｅｘｐｏｓｕｒｅ               ｔｏ               ｔｈｅ               ｗｉｄｅｒ               ｏｆｆ-Ｂｒｏａｄｗａｙ               ａｎｄ               ｒｅｇｉｏｎａｌ               ｔｈｅａｔｒｅ               ｃｏｍｍｕｎｉｔｉｅｓ.
                   ＢＲＯＫＥＮ               ＷＡＴＣＨ               ＴＨＥＡＴＲＥ               ＣＯＭＰＡＮＹ'Ｓ               ＰＲＯＤＵＣＴＩＯＮ               ＨＩＳＴＯＲＹ:
                   Ｂｏｙｓ'               Ｌｉｆｅ               ｂｙ               Ｈｏｗａｒｄ               Ｋｏｒｄｅｒ               -               (Ｐｒｏｄｕｃｅｒｓ               Ｃｌｕｂ               2,               2001)
                   Ｓｐｌｉｔ               ｂｙ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               (Ｌｉｏｎ               Ｔｈｅａｔｒｅ,               Ｔｈｅａｔｒｅ               Ｒｏｗ,               2002)
                   Ａｍｅｒｉｃａｎ               Ｓｔｏｒａｇｅ               ｂｙ               Ｅｄｗａｒｄ               Ａｌｌｅｎ               Ｂａｃｋｅｒ               (Ｌｉｏｎ               Ｔｈｅａｔｅｒ,               Ｔｈｅａｔｅｒ               Ｒｏｗ,               2003)
                   Ｔｈｅ               Ｋｉｄｎｅｙ               ｂｙ               Ｈｕｎｔ               Ｈｏｌｍａｎ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2004)
                   Ｔｈｅ               Ｓａｆｅｔｙ               Ｎｅｔ               ｂｙ               Ｃｈｒｉｓｔｏｐｈｅｒ               Ｋｙｌｅ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2005)
                   Ａ               Ｂｒｏｋｅｎ               Ｃｈｒｉｓｔｍａｓ               Ｃａｒｏｌ               ｂｙ               Ｊａｍｅｓ               Ｃｈｒｉｓｔｙ,               Ｊ.

    Ｈｏｌｔｈａｍ,               Ｋｅｎｄｒａ               Ｌｅｖｉｎ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2005)
                   Ｎｅｖｅｒ               Ｔｅｌｌ               ｂｙ               Ｊａｍｅｓ               Ｃｈｒｉｓｔｙ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2006)
                   Ｄｉｂｂｌｅ               Ｄｏｅｓ               Ｃｈｒｉｓｔｍａｓ               ｉｎ               Ｎｅｗ               Ｙｏｒｋ               ｂｙ               Ｊｅｒｒｙ               Ｒｏｂｂｉｎｓ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2006)
                   Ｔｗｏ               Ｔｈｉｒｄｓ               Ｈｏｍｅ               ｂｙ               Ｐａｄｒａｉｃ               Ｌｉｌｌｉｓ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2007)
                   Ｔｈｅ               Ｆｒａｍｅｒ               ｂｙ               Ｅｄｗａｒｄ               Ａｌｌａｎ               Ｂａｋｅｒ               (Ｔｈｅ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               Ｔｈｅａｔｒｅ,               2008)
                   Ｇｏｏｄ               Ｓｅｘ,               Ｂａｄ               Ｍｏｎｅｙ               ｂｙ               Ｍｉｃｈａｅｌ               Ｗｅｌｌｅｒ               (Ｔｈｅ               Ｗｏｒｋｓｈｏｐ               Ｔｈｅａｔｒｅ,               2011)
                   ＣＬＯＣＫＷＯＲＫＳ               Ａ               ＳＴＡＧＥＤ               ＲＥＡＤＩＮＧ               ＳＥＲＩＥＳ
                   Ｒｉｃｈ               Ｇｉｒｌ               ｂｙ               Ｖｉｃｔｏｒｉａ               Ｓｔｅｗａｒｔ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｔｈｏｍａｓ               Ｋａｉｌ               (Ｊａｎｕａｒｙ               27,               2010)
                   Ｈｏｎｅｙ               Ｂｒｏｗｎ               Ｅｙｅｓ               ｂｙ               Ｓｔｅｆａｎｉｅ               Ｚａｄｒａｖｅｃ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｍａｒｔｈａ               Ｂａｎｔａ               (Ｊａｎｕａｒｙ               20,               2010)
                   Ｌｏｏｋ,               ｗｅ               ａｒｅ               ｂｒｅａｔｈｉｎｇ               ｂｙ               Ｌａｕｒａ               Ｊａｃｑｍｉｎ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｍｉｃｈａｅｌ               Ｓｅｘｔｏｎ               (Ｊａｎｕａｒｙ               19,               2010)
                   *Ｔｈｅ               Ｆｒａｍｅｒ               ｂｙ               Ｅｄｗａｒｄ               Ａｌｌａｎ               Ｂａｋｅｒ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ               (Ｍａｒｃｈ               15,               2007)
                   Ｐｕｔ               Ｔｈｅｍ               Ａｗａｙ               ｂｙ               Ｊａｍｅｓ               Ｃｈｒｉｓｔｙ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｐａｄｒａｉｃ               Ｌｉｌｌｉｓ               (Ｍａｒｃｈ               1,               2007)
                   Ａｎｇｅｌｓ               ｏｆ               ｔｈｅ               Ｈａｌｆ-Ｍｏｏｎ               ｂｙ               Ｄｏｕｇｌａｓ               Ｙｏｕｎｇ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｖｉｃｔｏｒｉａ               Ｃｈａｔｆｉｅｌｄ               (Ｊａｎｕａｒｙ               9,               2007)
                   *Ｔｗｏ               Ｔｈｉｒｄｓ               Ｈｏｍｅ               ｂｙ               Ｐａｄｒａｉｃ               Ｌｉｌｌｉｓ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｅｌｉｚａｂｅｔｈ               Ｃａｎａｖａｎ               (Ｎｏｖｅｍｂｅｒ               7ｔｈ,               2006)
                   Ｉ               Ｈａｄ               ｔｏ               Ｋｉｌｌ               Ｈｅｒ               ｂｙ               Ｃｙｎｔｈｉａ               Ｋｒａｍａｎ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｓｔｅｐｈｅｎ               Ｂｒｕｍｂｌｅ,               Ｊｒ.

    (Ｏｃｔｏｂｅｒ               25ｔｈ,               2006)
                   Ｓｈｅ               Ｔａｌｋｓ               ｔｏ               Ｒａｉｎｂｏｗｓ               ｂｙ               Ｍｉｃｈａｅｌ               Ｐｕｚｚｏ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｐａｄｒａｉｃ               Ｌｉｌｌｉｓ               (Ｊｕｎｅ               19,               2006)
                   Ｑｕａｒｔｅｒ               Ｌｉｆｅ               ｂｙ               Ｓａｍ               Ｆｏｒｅｍａｎ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ               (Ｊｕｎｅ               26,               2005)
                   Ｐｌｕｔｏ'ｓ               Ｌｉｓｔｅｎｉｎｇ               ｂｙ               Ｄａｖｉｄ               Ｐａｒｒ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｌｅｏ               Ｌａｕｅｒ               (Ｊｕｎｅ               19,               2005)
                   Ｔｈｅ               Ｇｏｏｄ               Ｒｅｄ               Ｒｏａｄ               ｂｙ               Ｒｏｂｅｒｔ               Ｖａｕｇｈａｎ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ａｕｓｔｉｎ               Ｐｅｎｄｌｅｔｏｎ               (Ｊｕｎｅ               13,               2005)
                   Ｓｐｌｅｎｄｉｄ               ｂｙ               Ｊ.

    Ｈｏｌｔｈａｍ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｓｔｅｐｈｅｎ               Ｂｒｕｍｂｌｅ,               Ｊｒ.

    (Ｊｕｎｅ               5,               2005)
                   Ｔｈｉｒｔｙ               Ｇｈｏｓｔｓ               ｂｙ               Ｒｏｂｅｒｔ               Ｌｅｗｉｓ               Ｖａｕｇｈａｎ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ               (Ｍａｒｃｈ               14,               2005)
                   *Ｔｈｅ               Ｓａｆｅｔｙ               Ｎｅｔ               ｂｙ               Ｃｈｒｉｓｔｏｐｈｅｒ               Ｋｙｌｅ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ               (Ｍａｒｃｈ               28,               2004)
                   *Ｔｈｅ               Ｋｉｄｎｅｙ               ｂｙ               Ｈｕｎｔ               Ｈｏｌｍａｎ,               Ｄｉｒｅｃｔｅｄ               ｂｙ               Ｄｒｅｗ               ＤｅＣｏｒｌｅｔｏ               (Ａｐｒｉｌ               14,               2003)
                   *ｂｅｃａｍｅ               Ｂｒｏｋｅｎ               Ｗａｔｃｈ               ｍａｉｎ               ｓｔａｇｅ               ｐｒｏｄｕｃｔｉｏｎｓ






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    1. chezodysseus.blogspot.com/   02/01/2009
      ... must be waged there as well. Labels: Church and state , John Jay College of Criminal Justice , Liberalism and religion , priest sex abuse
    2. chezodysseus.blogspot.com/   02/05/2009
      ...of 70 in order to send your kids to college, don’t expect them to come back ...alone”. I would classify this splendid wisdom with Lincoln’s “to achieve a just and a lasting...
    3. hatchetsandskewers.blogspot.com/   12/26/2006
      ... you like the play, Mrs. Lincoln? Mind you, I wouldn't trade... a mixed review, rather than a simple ...I teach painting to college students, and I show...
    4. herodoteanlaughter.blogspot.com/   02/19/2003
      ...Crockett, Sublette, Bridger; Patrick Henry, John Adams, Jefferson, Old Hickory, Sam Houston, Lincoln, and Lee; Debs, Wilson, and TR; Patton and Nimitz; Dr King and Rosa Parks...
    5. talesofthenewworld.blogspot.com/   01/15/2008
      ...graduate of Colombia Law School (where he made the Law Review ), a professor of law at Colombia and Yale, and...Always he had a high regard for good college professors and sometimes tried...
    6. jeremyblachman.blogspot.com/   03/23/2005
      ...four in the morning (after I get back from the Lincoln's Inn birdwatching trip). The final thing I ...for a law firm, completed the law review write-on competition, applied for ...
    7. chezodysseus.blogspot.com/   11/03/2010
      ... always well worth a look. ADDENDUM In a piece published in ‘The London Review of Books’ (issue dated 21 October 2010, pp. 8-9) entitled...
    8. mythville.blogspot.com/   12/15/2008
      ...and, of course, Ladmo. He was mad about something, dad was. Not Ladmo and his Lincoln-esque top hat, where is Waldo shirt. He was upset, you see, because he just...
    9. zengersmag.blogspot.com/   03/24/2008
      ... over officially when George Bush landed on the aircraft carrier — the U.S.S. Lincoln — parked conveniently off of San Diego, and announced an end to...
    10. quigleyblog.blogspot.com/   07/14/2009
      ...Hampshire look to be free. Every state should call on its state government to renew itself and review its contract with the federal government. Each state should insure that their ...

      11. Lincoln College Reviews - Blog Homepage Results

      Eric Jacobsonbyericjacobsononleadership
      http://ericjacobsononleadership.wordpress.com/
      ...3) Kansas City Leadership On Examiner.com Kansas City nonprofit leaders welcome college students on Shadow Day Leaders in Kansas City metro nonprofit ...
      lizzygrambylizzygram
      http://lizzygram.wordpress.com/
      ...president and COO • Was CEO of Teachers Insurance and Annuity Association College Retirement Equities Fund (2002 to 2008); CEO of the Alliance for Lifelong ...
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